Module 26 - 1

Updated: 03/28/2008

Part I

TV Graphics

and Virtual

Reality Sets

TV graphics used to be limited to whatever you could photograph with a video camera. Today, most graphics used in TV programming either come from a computer disk or are computer generated. 

In general, these images are referred to as television graphics or computer graphics. They range all the way from displaying the name of the person being interviewed to totally realistic backgrounds and settings.

We'll start with simple graphics.

Titling  

In much the same way that you can use a word processor to create text on a computer screen, you can use a character generator (CG) to create text on a television screen.  

There are two types of equipment involved: software based systems, (which use a desktop or laptop computer as a platform), and dedicated equipment (built to perform one task only, in this case, creating television graphics).

In both types, graphics are normally created a screen at a time and stored as electronic pages. These pages can be recalled manually or automatically in any sequence.

Once created, simple graphics, such as lower-third frame names or titles, can be quickly retrieved as needed by typing in an electronic page number. The retrieved page can then be keyed into (electronically inserted into) background video.

Electronic pages can also be combined in layers or cells. This means that one or more images — backgrounds, photos, product logos (identifying symbols), text, etc.— can be electronically placed on top of each other to build rich, multi-layered graphics.

Suppliers such as Digital Juice have a wide variety of sophisticated animated backgrounds and effects available that can be combined with such things as TV station call letters, or the logos of local businesses. The result represents an effect that is far beyond what most production facilities would have the time and resources to create for themselves.   

Image Editors

Image editors can be divided into two main categories: paint programs and image processors. Almost all are based on software designed to run on computers.  
  

Paint Programs

Paint or drawing programs are primarily designed to create new art work. Although in some cases you might want to start with some scanned artwork and build on that, these programs contain all of the tools necessary to create complete images. 

By scanned artwork we are referring to pictures and graphics that have been copied by a digital camera or flatbed scanner (similar to a photocopy machine), digitized, and then stored in a computer for use. (Be careful about copyright limitations; you can get yourself and you company in legal trouble.)

In the hands of an artist today's paint and drawing programs can be used to create anything from abstract art to illustrations with photographic realism.

Paint programs have become so sophisticated that they can even simulate the brush strokes of famous painters such as Monet and Van Gogh.

Somewhere within this mix are the graphics systems that create the elaborate, animated weather graphics we regularly see on TV.

At most TV stations those doing the on-air weather are responsible for programming this computer.

When they are on the air they trigger the page and effect changes with a handheld button. (Note weather system on the right.)

Although many rely primarily on wire copy for the regional forecasts, at the larger stations they are generally meteorologists that can interpret the raw data and create their own forecasts.

Most broadcast weather systems have a constant connection with various sources of information, often including the station's own weather radar system. In some cases, even while the weathercaster is on the air, changes in temperature, wind speed, etc. can be updated on the screen in real time within different segments of the broadcast coverage area .

Image Processors

Although the line between paint programs and image processors can be rather blurry, image processors (or image processing programs) are primarily designed to work with existing images such as scanned photos. 

Image processors such as Adobe's sophisticated Photoshop program can emulate all photographic darkroom effects, including lightening and darkening portions of the image, altering contrast, changing color balance, reversing polarity (the tonal scale), and combining images.

Here is an example of how one of these programs can be used to subtract color from much of a scene in order to draw instant attention to a specific area. (Of course, it's generally a commercial product that's in the color area and not a face, but you get the idea.)

These programs can create effects that go beyond what you can normally do in a photographic darkroom: sharpening the image, airbrushing, and the application of scores various image manipulation filters. 

These programs allow you to create materials in "layers" that can be combined in various ways.  The Extended version of Photoshop CS3 is designed for video and motion pictures.

3-D Modeling and Animation Programs 

Paint programs and image editors are primarily designed to manipulate still images. Today, however, we commonly see three-dimensional images created by computers. These are animated-type video images that can be made to move in any desired way.

As you will see in the next module, many rival photographic realism.

Films such as The Matrix, War of the Worlds and The Tinman, with their many digitally created scenes, are examples of how far these programs can go in simulating reality.

Once the basic elements of a scene are created (modeled) on a computer screen, both the "camera" (viewer's perspective) and the "lights" (apparent illumination on the scene) can be manipulated until the desired effect is created.

Unlike two-dimensional objects, such as most of the images on your computer screen, 3-D objects consist of full forms (within computer memory) that can be made to rotate a full 360 degrees. (Note the example here.)

Typically, the various elements (objects) in a scene are constructed in independent layers in computer memory. Objects in each of the layers can then be made to move or change without affecting the other image layers. This allows the various layers to move at different speeds—as they naturally would if a camera were following a subject moving past foreground and background objects. 

On the left below an illustrator uses a pen and computer drawing tablet to add elements to a wire frame (on the right) of a computer generated scene. A tablet of this type is preferred by electronic artists because it extends the capability of a standard computer mouse in a number of ways.

In creating realistic, three-dimensional images this wire frame outline is typically drawn first. The wire frame is then filled in and covered with the help of the computer program.

Surface textures, colors, camera (observer) angles, simulated lens focal length, lighting, and a host of other variables can then be added.

In a process called rendering the computer "fleshes out" these wire frames by adding surface materials and textures — a little like putting skin on a skeleton.

When motion is involved, rendering also involves calculating what will take place during action.  The creatures in the Jurassic Park and the Star Wars films were the first to demonstrate how realistic this process could be.

Since millions of pixel points (discrete image points) are involved in rendering an image, the process involves billions of computer calculations. Therefore, depending on the power and speed of the computer, and the complexity of the image and motion, rendering can take from a few seconds to many hours. 

You can get a bit more information on electronic graphics, animation, and some of the other subjects we've discussed in this module by clicking here.

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