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Film, Radio and TV - 19 |
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Regulationsand Ruses President Franklin D. Roosevelt, using an informal radio approach and bringing to bear his paternal, reassuring style, helped maintain confidence in conditions in the United States with his "fireside chats" from the White House. This was the first time radio had been used in this way. By 1934, radio and the electronic media were developing too rapidly for the original Federal Radio Commission's 1927 mandate.
Its purpose was to incorporate the powers of the FRC while expanding its mandate to regulate all of interstate electronic communications. When it comes to broadcasting the FCC was (and is) the prime governing body. It's primarily responsible for issuing broadcast licenses (and occasionally suspending them for misconduct), for regulating station frequency, station power and hours of operation, and for occasionally levying fines for broadcast content it deems objectionable. (Howard Stern and George Carlin, among others, found out first hand about this particular FCC power.) |
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Today, the FCC still governs broadcasting, although its governing board was officially reduced from seven to five members in 1983, and its powers have been diminished by various "deregulation" measures. In 1996, the FCC's areas of responsibility were further reduced with the passage of the Telecommunications Act.
The "War of the Worlds" Broadcast Orson Welles was a young, controversial genius of radio, stage and film. You may remember from an earlier module that he wrote, directed, and starred in Citizen Cane, considered by many to be this country's most notable film. Among the many things he was involved in was a weekly network radio show called The Mercury Theater on the Air, which normally ran a distant second in the ratings against the "Charlie McCarthy" show on another network. Together with John Houseman (later
to become a well-known actor) Welles, had come up with a radio drama for Halloween night involving an invasion from Mars. The show was in the form of a mock radio newscast featuring supposedly live reports from various parts of the United States tracing the destructive advance of the Martians across the country. It was clearly stated at the beginning of the show that it was only a drama (a Halloween spoof). However, people who tuned in after the show had started (during the time when "Charlie McCarthy" went into commercials), didn't hear the disclaimer. Welles, who had showed up (as usual) minutes before the live, coast-to-coast broadcast, modified the script as he went along. He was working with a crack radio team used to his "flexible" style, so they adapted accordingly. The show included various realistic sound effects — all done "live," of course — that added believability. This included one that was created with the help of a nearby toilet. (If it worked, no one questioned it!) However, many people didn't, and the show caused panic across the country. People barricaded themselves in their homes with guns loaded; some people jumped in their cars and tried to flee the areas where the Martians were supposedly advancing; and many people rushed to churches to settle things before it was too late. When these people later found out that the whole thing was a spoof, they were upset to the point of demanding legislative
action. Cooler heads eventually prevailed. But, as a result, the name Orson Welles became famous and people became a bit more discerning about the content of broadcast programming.
When Listeners Become Victims The sex-rejuvenation surgery
and drugs promoted over the air by "Dr." John Brinkley caused him to lose his broadcast license. Among other problems, neither his exploits or supposed medical credentials found favor with the American Medical Association. To help mask the fact that they weren't actually U.S. radio stations that must adhere to U.S. broadcast laws, the stations had you send your money to a Texas post office box near the Mexican boarder. One such station sold prayer handkerchiefs (no need to go to a doctor, they will cure any ailment) and 8x10 autographed photos of Jesus Christ. Unfortunately, the people who can least afford to part with their money — typically rural, uneducated people, living at the poverty level — end up being the most vulnerable to these exploits.
Radio Evangelists Who LostTheir Broadcast Licenses Most of this took place when the FCC had an "equal time" provision, which meant that stations were expected to give equal time to views and people that were attacked on their stations. To the relief of politicians and religious broadcasters, that provision has since been dropped. But while it was in effect the Rev. Dr. Shuler's on-air accusations and fire-and-brimstone excesses caused his station to lose its license, and the Rev. Charles Couglin, who had major problems with certain organizations and minority groups, was also forced off the air. The Rev. Gene Scott, whose programming from Los
Dr. Scott, a colorful personality indeed, died in 2005 at the age of 75. At that point his third wife, Melissa, who was 39 years younger than he was, took over his ministry. In his radio broadcasts the Rev. McIntire rallied against racial integration, Jews, Catholics, Communists, sex education, evolution, liberals, and water fluoridation. He attacked religious groups such as the World Council of Churches and denounced the popular radio and TV evangelist Oral Roberts as "a fraud and a fake." For many years the Rev. McIntire was a pastor of the Collingswood Bible Presbyterian Church in Collingswood, New Jersey. He also headed the International Council of Christian Churches, a fundamentalist coalition of churches. In 1970, the Federal Communications Commission took away McIntire's WXUR broadcast license where his weekly "20th Century Reformation Hour" radio program originated. McIntire was seen as "consistently violating the fairness doctrine." McIntire then tried to start an unlicensed ("pirate") radio station on a boat off the coast of New Jersey, but the federal government soon put a stop to that illegal effort. |
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