The more times the color is sampled the better the picture quality; but, also, the more bandwidth involved and the more demanding the digital recording process becomes.
The 4:4:4 sampling process is associated with some of the high-end, professional equipment which
is covered in Module 49. Quality compromises are made in anything less than 4:4:4, although it may not always be readily noticeable.
MPEG and JPEG Compression The 4:2:2 format associated with a widely-used compression method (known as MPEG.
This is one of the most popular compression formats and it represents a practical middle ground between optimized quality and technical practicability.
To reduce editing problems, jpeg compression is used instead of MPEG compression in some cases. This is discussed here. Like MPEG compression, JPEG compression is not without resulting artifacts. The two photos below show different levels of JPEG compression. The first photo has minimal compression; the second is compressed to such a degree that important detail is lost. You might also notice little "globs" or "blocks" of data, especially in the bottom right-hand area of the overly compressed photo. Additional pictures showing the effects of video compression can also be found in this module.
TV Production Index To Home Page
© 2012, All Rights Reserved |